Homeboy Beautiful

Alternate Names
H.B. Expose
Homo-Homeboys
First Documented
1978
Last Documented
1979

Joey Terrill
322 N. Mariposa Ave
#C
Los Angeles, CA 90004
United States

Abstract
Homeboy Beautiful was a short-lived and influential queer Chicano publication of the late 1980’s authored by Joey Terrill. With two existing editions and only 100 copies produced, Homeboy Beautiful fostered a sense of community within the queer Chicano scene by presenting relevant cultural content, such as featuring the problems in los barrios (neighborhoods) and highlighting the homo-homeboy lifestyle that was specific to how local Chicanos approached homosexuality. Included in both editions are “Ask Lil Loca”, a segment serving as a "letters-to-editor" feature, fashion tips relevant to cholo/a culture, art entries, and “exposés” such as a homo-homeboy party or a gang-planned kidnapping. This magazine served as safe space for Chicanos in the predominantly white gay scene. Address listed was author Joey Terrill's P.O. Box for mail art submissions.
homeboy beautiful cover

homeboy beautiful cover

homeboy beautiful fashion

homeboy beautiful fashion

homeboy beatufiul expose

homeboy beatufiul expose

homeboy beautiful cover
homeboy beautiful fashion
homeboy beatufiul expose
Citations

Chavoya, C. Ondine, and David Evans Frantz. Axis Mundo. USC Libraries and DelMonico Books * Prestel, 2017. ONE Archives at USC Libraries.

CORE Program. Chicos Modernos. 1992 1989. ONE Archives at USC Libraries.

Terrill, Joey. “Homeboy Beautiful.” Joey Terrill, vol. I, no. I–II, 1979 1978, p. 30. ONE Archives at USC Libraries, Joey Terrill Papers.

Related Content

Fais Do Do

Fais Do Do was an East. L.A. music venue that hosted the final night of Scutterfest 2002, a music festival formed out of the punk rock queer zine Scutter. Scutter was self-published by Chicano queer and Los Angeles native Rudy Bleu, who formed the magazine to create a relatable space for other queer people of the punk rock scene. 

Fais Do Do

Fais Do Do was an East. L.A. music venue that hosted the final night of Scutterfest 2002, a music festival formed out of the punk rock queer zine Scutter. Scutter was self-published by Chicano queer and Los Angeles native Rudy Bleu, who formed the magazine to create a relatable space for other queer people of the punk rock scene. 

Vice Versa at RKO Studios

Vice Versa was the first lesbian magazine published in the United States. It ran for nine issues, released monthly from June 1947 to February 1948. Edythe Eyde—known by her pen name, “Lisa Ben,” an anagram of “lesbian”—published the magazine. She typed it by hand at her job at RKO Studios and wrote most of the content herself, which included book reviews, short stories, poetry, and more.

Vice Versa at RKO Studios

Vice Versa was the first lesbian magazine published in the United States. It ran for nine issues, released monthly from June 1947 to February 1948. Edythe Eyde—known by her pen name, “Lisa Ben,” an anagram of “lesbian”—published the magazine. She typed it by hand at her job at RKO Studios and wrote most of the content herself, which included book reviews, short stories, poetry, and more.

Circus Disco

One of Los Angeles’s most famous and longest-running discos, Circus Disco was a huge club with a focus on Latinx people. Located originally at 6648 Lexington Avenue in Hollywood, like many gay spaces, it was slightly outside of the heart of Los Angeles, but attracted thousands of gay men nonetheless. 

Vex

Vex is a venue famous for being a hotspot for Latinx members of the punk scene, particularly during the Chicano punk movement of the late 1970s. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream. 

The Ladder

The Ladder was among the earliest lesbian publications in the United States. It was published by the Daughters of Bilitis, a lesbian organization based out of San Francisco with a large chapter in Los Angeles. The magazine ran from 1956 through 1972.

The Ladder

The Ladder was among the earliest lesbian publications in the United States. It was published by the Daughters of Bilitis, a lesbian organization based out of San Francisco with a large chapter in Los Angeles. The magazine ran from 1956 through 1972.

ONE Magazine

ONE Magazine was a nationally-distributed publication put out by ONE, Incorported, a homophile organization based in Los Angeles. The magazine was published from 1952 to 1967, surviving threats from the police and federal government to provide news, essays, fiction, and more to gay and lesbians across the United States.

ONE Magazine's New Office

ONE, Incorporated, moved their offices to 2256 Venice Boulevard in 1962. ONE Magazine was published out of these offices for the remainder of its run, until 1967.

ONE Magazine's New Office

ONE, Incorporated, moved their offices to 2256 Venice Boulevard in 1962. ONE Magazine was published out of these offices for the remainder of its run, until 1967.

Homeboy Beautiful

Homeboy Beautiful was a short-lived and influential queer Chicano publication of the late 1980’s authored by Joey Terrill. With two existing editions and only 100 copies produced, Homeboy Beautiful fostered a sense of community within the queer Chicano scene by presenting relevant cultural content, such as featuring the problems in los barrios (neighborhoods) and highlighting the homo-homeboy lifestyle that was specific to how local Chicanos approached homosexuality. Included in both editions are “Ask Lil Loca”, a segment serving as a "letters-to-editor" feature, fashion tips relevant to cholo/a culture, art entries, and “exposés” such as a homo-homeboy party or a gang-planned kidnapping. This magazine served as safe space for Chicanos in the predominantly white gay scene. Address listed was author Joey Terrill's P.O. Box for mail art submissions.

Chicos Modernos

Chicos Modernos was a Spanish-written comic series emphasizing the importance of practicing safe sex. Illustrated by Joey Terrill, author of queer Chicano publication Homeboy Beautiful, the comic was published between 1989 and 1992 by The CORE Program funded by the L.A. County Dept. of Health Services. The comic promoted and spread knowledge about safe sex during the A.I.D.S. pandemic, such as who was at risk of infection and how to take safety measures-- all while maintaining culturally-relevant comic elements. This information was extremely useful given the time frame and targeted demographic. Moreover, the comics were published solely in Spanish during the height of the A.I.D.S. pandemic-- a time in which Hispanic communities lost thousands due to the virus. Chicos Modernos became not only a source of entertainment, but an indirect health resource. The address listed belonged to The CORE Program, 1990's.

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Luces Revista (Magazine)

Abstract
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Luces Revista (Magazine)

Abstract
Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

Luces Revista (Magazine)

Abstract
Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

Luces Revista (Magazine)

Abstract
Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

Clothespin Fever Press

Abstract
Clothespin Fever Press was a small lesbian press based out of Los Angeles. It was co-founded by Jenny Wrenn and Carolyn Weathers in 1985 and was active until 1996.

Circus of Books

Abstract
Circus of Books was a West Hollywood adult bookstore specializing in gay pornographic magazines and VHS tapes. Owned and operated by a heterosexual Jewish couple, it became an unlikely yet extremely popular cruising destination for gay men across Los Angeles, and is the subject of the documentary Circus of Books, directed by the owners' daughter.
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On: Jun 22 2021 | 12am at: 3:00 pm - 3:00 pm
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Bienestar Proyecto Latino Contra El S.I.D.A.

Abstract
Bienestar was a Spanish-written newsletter educating readers on the state of HIV/AIDS in Latinx communities-- emphasizing that heterosexuals were also impacted. In addition to providing comprehensible medical information, Bienestar included hope testimonials from infected community members alongside daily support activities/services for anyone interested. Listed is the newsletter's original address from 1995, although it changed throughout the newsletter's course.

Bienestar Proyecto Latino Contra El S.I.D.A.

Abstract
Bienestar was a Spanish-written newsletter educating readers on the state of HIV/AIDS in Latinx communities-- emphasizing that heterosexuals were also impacted. In addition to providing comprehensible medical information, Bienestar included hope testimonials from infected community members alongside daily support activities/services for anyone interested. Listed is the newsletter's original address from 1995, although it changed throughout the newsletter's course.

Bienestar Proyecto Latino Contra El S.I.D.A.

Abstract
Bienestar was a Spanish-written newsletter educating readers on the state of HIV/AIDS in Latinx communities-- emphasizing that heterosexuals were also impacted. In addition to providing comprehensible medical information, Bienestar included hope testimonials from infected community members alongside daily support activities/services for anyone interested. Listed is the newsletter's original address from 1995, although it changed throughout the newsletter's course.

Bob Mizer's Athletic Model Guild and Physique Pictorial

Abstract
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Bob Mizer's Athletic Model Guild and Physique Pictorial

Abstract
Robert Henry Mizer (Bob) Mizer was born on March 27, 1922, in Hailey, Idaho. Known for his stellar skills in photography, he produced Physique Pictorial. In 1945, Mizer experienced a pivotal achievement in his career: the creation of the Athletic Model Guild, his studio space where the magic of his photography came to life.  His photographic works altered the course of the gay rights movement by encouraging individuals to participate in gay pride and to strive for profound change. 

BLK Publications

Abstract
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BLK Publications

Abstract
BLK Publications is located at PO Box 83912 Los Angeles, CA 90083 BLK Magazine was a magazine designed to educate and inform the Black LGBTQ community in Los Angeles that hadn’t yet been informed about issues that related to their community, particularly during the height of the AIDS crisis. Created by Alan Bell in 1988, BLK Magazine aimed to not only be the best black gay news publication, but the best magazine altogether. Designed in the vein of Newsweek and TIME, BLK Magazine aimed to be a source of mainstream news for everyone to enjoy as well as provide a safe methods for the Black LGBTQ community to communicate. At the time, the community had only limited ways of interacting or learning from one another, so the purpose of BLK transcended just news to be an avenue for the community to flourish.

Chicos Modernos

Abstract
Chicos Modernos was a Spanish-written comic series emphasizing the importance of practicing safe sex. Illustrated by Joey Terrill, author of queer Chicano publication Homeboy Beautiful, the comic was published between 1989 and 1992 by The CORE Program funded by the L.A. County Dept. of Health Services. The comic promoted and spread knowledge about safe sex during the A.I.D.S. pandemic, such as who was at risk of infection and how to take safety measures-- all while maintaining culturally-relevant comic elements. This information was extremely useful given the time frame and targeted demographic. Moreover, the comics were published solely in Spanish during the height of the A.I.D.S. pandemic-- a time in which Hispanic communities lost thousands due to the virus. Chicos Modernos became not only a source of entertainment, but an indirect health resource. The address listed belonged to The CORE Program, 1990's.

Chicos Modernos

Abstract
Chicos Modernos was a Spanish-written comic series emphasizing the importance of practicing safe sex. Illustrated by Joey Terrill, author of queer Chicano publication Homeboy Beautiful, the comic was published between 1989 and 1992 by The CORE Program funded by the L.A. County Dept. of Health Services. The comic promoted and spread knowledge about safe sex during the A.I.D.S. pandemic, such as who was at risk of infection and how to take safety measures-- all while maintaining culturally-relevant comic elements. This information was extremely useful given the time frame and targeted demographic. Moreover, the comics were published solely in Spanish during the height of the A.I.D.S. pandemic-- a time in which Hispanic communities lost thousands due to the virus. Chicos Modernos became not only a source of entertainment, but an indirect health resource. The address listed belonged to The CORE Program, 1990's.

Chicos Modernos

Abstract
Chicos Modernos was a Spanish-written comic series emphasizing the importance of practicing safe sex. Illustrated by Joey Terrill, author of queer Chicano publication Homeboy Beautiful, the comic was published between 1989 and 1992 by The CORE Program funded by the L.A. County Dept. of Health Services. The comic promoted and spread knowledge about safe sex during the A.I.D.S. pandemic, such as who was at risk of infection and how to take safety measures-- all while maintaining culturally-relevant comic elements. This information was extremely useful given the time frame and targeted demographic. Moreover, the comics were published solely in Spanish during the height of the A.I.D.S. pandemic-- a time in which Hispanic communities lost thousands due to the virus. Chicos Modernos became not only a source of entertainment, but an indirect health resource. The address listed belonged to The CORE Program, 1990's.

Chicos Modernos

Abstract
Chicos Modernos was a Spanish-written comic series emphasizing the importance of practicing safe sex. Illustrated by Joey Terrill, author of queer Chicano publication Homeboy Beautiful, the comic was published between 1989 and 1992 by The CORE Program funded by the L.A. County Dept. of Health Services. The comic promoted and spread knowledge about safe sex during the A.I.D.S. pandemic, such as who was at risk of infection and how to take safety measures-- all while maintaining culturally-relevant comic elements. This information was extremely useful given the time frame and targeted demographic. Moreover, the comics were published solely in Spanish during the height of the A.I.D.S. pandemic-- a time in which Hispanic communities lost thousands due to the virus. Chicos Modernos became not only a source of entertainment, but an indirect health resource. The address listed belonged to The CORE Program, 1990's.

Luces Revista (Magazine)

Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

Luces Revista (Magazine)

Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

Luces Revista (Magazine)

Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

Luces Revista (Magazine)

Luces Revista/Magazine was a Spanish-written safe space for queer Hispanic women throughout the 1990’s that stressed the importance of identity, expression through art, and the distribution of resources during the S.I.D.A. (A.I.D.S.) epidemic. “Luces” translates to “lights", highlighting the intention for the magazine to serve as a beacon of hope and positivity; a light to those surrounded by the darkness of oppression. Luces magazine emphasized and prioritized creation, independence, and motivation.

ONE Magazine's New Office

Abstract
ONE, Incorporated, moved their offices to 2256 Venice Boulevard in 1962. ONE Magazine was published out of these offices for the remainder of its run, until 1967.

ONE Magazine's New Office

Abstract
ONE, Incorporated, moved their offices to 2256 Venice Boulevard in 1962. ONE Magazine was published out of these offices for the remainder of its run, until 1967.

ONE Magazine

Abstract
ONE Magazine was a nationally-distributed publication put out by ONE, Incorported, a homophile organization based in Los Angeles. The magazine was published from 1952 to 1967, surviving threats from the police and federal government to provide news, essays, fiction, and more to gay and lesbians across the United States.

The Ladder

Abstract
The Ladder was among the earliest lesbian publications in the United States. It was published by the Daughters of Bilitis, a lesbian organization based out of San Francisco with a large chapter in Los Angeles. The magazine ran from 1956 through 1972.

The Ladder

Abstract
The Ladder was among the earliest lesbian publications in the United States. It was published by the Daughters of Bilitis, a lesbian organization based out of San Francisco with a large chapter in Los Angeles. The magazine ran from 1956 through 1972.

Clothespin Fever Press

Clothespin Fever Press was a small lesbian press based out of Los Angeles. It was co-founded by Jenny Wrenn and Carolyn Weathers in 1985 and was active until 1996.

Vex

Abstract
Vex is a venue famous for being a hotspot for Latinx members of the punk scene, particularly during the Chicano punk movement of the late 1970s. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream. 
California Chicanx Punk Biography: Los Illegals The Vex and Chicano Punk: A Very Brief History

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Abstract
One of Los Angeles’s most famous and longest-running discos, Circus Disco was a huge club with a focus on Latinx people. Located originally at 6648 Lexington Avenue in Hollywood, like many gay spaces, it was slightly outside of the heart of Los Angeles, but attracted thousands of gay men nonetheless. 

Fais Do Do

Abstract
Fais Do Do was an East. L.A. music venue that hosted the final night of Scutterfest 2002, a music festival formed out of the punk rock queer zine Scutter. Scutter was self-published by Chicano queer and Los Angeles native Rudy Bleu, who formed the magazine to create a relatable space for other queer people of the punk rock scene. 

Fais Do Do

Abstract
Fais Do Do was an East. L.A. music venue that hosted the final night of Scutterfest 2002, a music festival formed out of the punk rock queer zine Scutter. Scutter was self-published by Chicano queer and Los Angeles native Rudy Bleu, who formed the magazine to create a relatable space for other queer people of the punk rock scene. 

Vice Versa at RKO Studios

Abstract
Vice Versa was the first lesbian magazine published in the United States. It ran for nine issues, released monthly from June 1947 to February 1948. Edythe Eyde—known by her pen name, “Lisa Ben,” an anagram of “lesbian”—published the magazine. She typed it by hand at her job at RKO Studios and wrote most of the content herself, which included book reviews, short stories, poetry, and more.

Vice Versa at RKO Studios

Abstract
Vice Versa was the first lesbian magazine published in the United States. It ran for nine issues, released monthly from June 1947 to February 1948. Edythe Eyde—known by her pen name, “Lisa Ben,” an anagram of “lesbian”—published the magazine. She typed it by hand at her job at RKO Studios and wrote most of the content herself, which included book reviews, short stories, poetry, and more.

Joey Terrill Walkthrough of “Axis Mundo”

On: Nov 12 2017 at: 3:00 pm - 3:00 pm
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On: Nov 19 2017 at: 3:00 pm - 3:00 pm
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On: Oct 6 2017 at: 7:00 pm - 7:00 pm
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