December 1 is World AIDS Day and Day With(out) Art, an international day of action and mourning founded by Visual AIDS in 1989 in response to the AIDS crisis. For the 2016 iteration, Visual AIDS presents COMPULSIVE PRACTICE, an hour-long video program of work by nine artists and activists who live with their cameras as one way to manage, reflect upon, and change how they are affected by HIV/AIDS.
Upcoming
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Past Programs
Opening Reception for “A Subtle Likeness” and “Memoirs of a Watermelon Woman”
On:
Sep 3 2016 | 12am
at:
6:00 pm - 9:00 pm
Saturday, September 3, 2016, 6-9pm at ONE Archives
“Cock, Paper, Scissors” Book Launch and Collage Workshop
On:
Jun 19 2016
at:
4:00 pm - 8:00 pm
This event will include a hands-on collage workshop lead by artist Suzanne Wright using duplicate pornographic materials collected at ONE.
Cruising the Mapplethorpe Archive
On:
Jun 16 2016 | 12am
at:
7:30 pm - 7:30 pm
A gallery walk-through with David Evans Frantz and Ryan Linkof, Thursday, June 16, 2016, 7:30pm at LACMA
Opening Reception for “Winning the Freedom to Marry”
On:
Jun 6 2016 | 12am
at:
5:30 pm - 5:30 pm
Presented by the ONE Archives Foundation, Monday, June 6, 5:30pm at the Los Angeles City Hall
Opening Reception for “M. Lamar: Funeral Doom Spiritual”
On:
Apr 15 2016 | 12am
at:
7:00 pm - 9:30 pm
Friday, April 15, 2016, 7-9:30pm at ONE Archives
Reuses of the Erotica: A Sympodium on and Beyond Queer Collage
On:
Apr 8 2016
“Reuses of the Erotic” is organized in conjunction with the exhibition Cock, Papers, Scissors, which brings together works by an intergenerational group of fifteen queer artists who explore the collaged page or the scrapbook with diverse, erotically inclined tactics.
Opening Reception for “Cock, Paper, Scissors”
On:
Apr 2 2016 | 12am
at:
6:00 pm - 9:00 pm
Saturday, April 2, 2016, 6-9pm at Plummer Park, West Hollywood
Contemporary Art Versus Homophobia: A Lecture by Pawel Leszkowicz
On:
Dec 10 2015
at:
12:00 pm - 1:30 pm
This lecture by visiting Senior Fulbright Scholar Pawel Leszkowicz will contextualize recent artworks and curatorial practices that thematize homophobic images and discourses in today’s Europe. On the other hand, a question is posed whether or not an anti-LGBTQ contemporary art/visual culture is developing, supported by political or religious organizations – with a significant social impact. The presented works are of a deeply affective character and far-reaching implications for sexual politics and society at large.