Primary tabs

Pauline Boudry/Renate Lorenz, Toxic, 2012

A grammar built with rocks

This exhibition examines artistic practices that trace the racialized and gendered relationship between bodies and land
Colin Campbell, The Woman from Malibu, 1976

“I Almost Ran Over Liza Minnelli Today”: Colin Campbell and Lisa Steele in L.A., 1976–77

This exhibition gathers together the pioneering works of Canadian video artists Colin Campbell and Lisa Steele made together in Venice Beach during the 1970s for the first time in Southern California
Installation view of Lost & Found: Safer Sex Activism, March 17–June 24, 2018 at the ONE Gallery, West Hollywood. Photo by Ian Byers-Gamber

Lost & Found: Safer Sex Activism

This exhibition examines thirty years of inspiring and defiant safer sex and harm reduction activism through the collections at ONE Archives at the USC Libraries
Courtesy of The Museum of Contemporary Art, Los Angeles, and ONE National Gay & Lesbian Archives at the USC Libraries

Axis Mundo: Queer Networks in Chicano L.A.

In collaboration with The Museum of Contemporary Art and part of Pacific Standard Time: LA/LA, this exhibition marks the first historical presentation of groundbreaking art, music, and performance from a network of queer Chicano artists in Southern California.
Design by die Kränken with video stills from Sprayed with Tears, 2016. Courtesy of die Kränken

Die Kränken: Sprayed with Tears

Die Kränken examines the history of gay motorcycle clubs in Southern California through a variety of multimedia and performative strategies
THINGS: a queer legacy of graphic art and play

THINGS: a queer legacy of graphic art and play

An exhibition of objects made by queer artists best known for their work in journalism, performance, film, and video
Cheryl Dunye in a publicity image related to The Watermelon Woman, c. 1996. Photo by James Ford. Courtesy of Cheryl Dunye

Memoirs of a Watermelon Woman

An exhibition celebrating the legacy of queer filmmaker Cheryl Dunye and the twentieth anniversary of her seminal film The Watermelon Woman
Paul Mpagi Sepuya, Figure with Poppies, after R.B.N. (2604), 2015. Pigment print, 34 x 44 inches. Edition 1/5. Courtesy of the artist

A Subtle Likeness

This exhibition explores notions of biomythography and non-traditional archiving through performance, photography, collage, video, and sound installation to collectively merge personal histories and recontextualized narratives to hold space for a queer, Black radical tradition
M. Lamar, Deathlessness (Awaiting an Awakening), Still from Funeral Doom Spiritual, 2016. Digital video. Courtesy of the artist

M. Lamar: Funeral Doom Spiritual

Drawing on Negro Spirituals that call for the end times, what Lamar calls Doom Spirituals, this installation at ONE Archives exhumes legacies of racial violence while longing for the forthcoming destruction of white supremacy
Olaf Odegaard, Title unknown, c. 1985. Mixed media collage. ONE Archives at the USC Libraries

Cock, Paper, Scissors

This exhibition brings together works by an intergenerational group of fifteen queer artists who explore the collaged page or the scrapbook with diverse, erotically inclined tactics